Note from the workbench
I changed my professional brand. The web still remembered the previous one
In 2026 I rebuilt my professional presence around my own name. The website matched the work I do today, but it could not update everything the web had published over the years. Searching for my name, I found interviews, articles and links still associated with BRiDWEB or with destinations that no longer represented my professional activity.
The point
Publishing the new website did not update the rest of the web. A digital identity also lives in bylines, citations and links published elsewhere. I therefore reconstructed those paths, preserving the history while bringing professional evidence back to its current destination.
I searched for what my own website could not show me
In September I reviewed external sources connected with my name, my previous brand and the projects I run. I was not looking for more flattering lines to add to my About page. I wanted to understand which traces were still public, where they led and what they actually proved.
I searched for the different spellings of my name, BRiDWEB, domains I had used over time and the names of my projects. Then I opened the pages one by one. A search result title was not enough: I needed to read the content, check the author, follow the link and distinguish a useful source from a merely nominal presence.
The most interesting result was not discovering that my professional history existed online. I already knew that history. It was seeing how widely it was distributed across different identities: the developer, photographer, author, BRiDWEB and my own projects. The sources were real, but they did not always make today’s correct destination clear.
Some of those pages were particularly relevant to my work: an interview about website design and branding, a contribution I wrote on brand identity and a multi-participant interview on web marketing. I did not need to manufacture new evidence. I needed to put the evidence that already existed back in order.
I did not want to erase BRiDWEB
BRiDWEB belongs to my professional history. Articles published in 2019 used that name because it was the brand I worked under at the time. Replacing it in the copy would have rewritten the context and made an earlier phase appear current.
The problem was not the historical name. It was the destination. The associated domain is no longer under my control and no longer hosts the website described by those publications. Someone could find genuine material about my work and follow its link somewhere else. In another case, an interview linked to my author website, which is active but serves a different editorial purpose from my professional website.
I chose a very precise intervention: keep the content, dates and historical setting intact, and ask only for links that were no longer coherent to be updated. I did not ask publishers to present those pages as new, replace the old brand with the current one or add promotional claims.
The history needed to remain true. The destination needed to become useful again.
Three links found the right path again
On 14 September I verified that two Keliweb pages linked to my current professional domain. The first is an interview about branding and website design . The second is my article on building a brand identity .
On 23 September I also checked the interview published by Instapro . During the first review, the link attached to my name led to my author website. It now points to gianlucapartengo.com.
Two pieces from 2019
An interview and a signed contribution, both now linked to my current professional website.
One interview from 2019
My name remains in its historical context; the link leads to the correct professional destination.
14 and 23 September 2026
I opened the pages and checked their destinations directly rather than relying on snippets.
gianlucapartengo.com
All three professional sources now lead to the website that presents my current work.
I do not assign rankings, traffic or enquiries to these corrections without measuring them. The verified result is simpler: someone opening those sources today can move from genuine material about my work to my current professional activity, without landing on a different identity or a domain I no longer control.
A link can work and still tell the wrong story
The review also uncovered many references connected with photography, Animals in Black, my books and other projects. It would have been easy to treat all of them as authority to funnel towards the website where I sell services. I did not do that.
A publication about Animals in Black should help verify Animals in Black. A page about a photograph should keep its artistic context. An application listing should prove that the product exists and identify its publisher. Only sources that genuinely discuss websites, branding and web marketing have a direct relationship with my professional activity.
That is why it is not enough to ask whether a link returns HTTP 200. It may work technically and still lead to a semantically wrong place. The destination must be consistent with what the page says and with the reason someone chose to follow it.
Bringing my identity together does not mean mixing all my work into the same container.
I separated evidence from labels
Even a correct source can be described badly. Keliweb is not my client because it published an interview and one of my articles. Instapro did not certify me; it included me in an editorial discussion with other professionals. Rate My Build’s App Store listing proves that I developed and published a product; it does not turn the application into work commissioned by Apple.
I kept those distinctions on my Work and external references page. Interviews, signed contributions, independent products, testimonials and clients remain different categories. Placing all of them under “collaborations” might produce a more impressive wall of names, but it would be less credible.
After many years in business, not every project will retain a public page, a credit or a website that has remained unchanged. A professional timeline has value, but it is not automatically external evidence that can still be verified today. When evidence exists, I prefer to state exactly what it demonstrates and stop there.
I consider this part of website work just as much as a title, structured data or a redirect. Trust does not grow by inflating what sources mean. It grows when what I claim, what the reader can verify and the destination I provide all tell the same story.
Before producing more, I recovered what already existed
I could have answered the limited visibility of these sources by publishing more pages on my own website. That would not have been the most useful first step. The web already held evidence of my work on independent publishers and platforms; leaving it scattered while adding more self-description would have increased volume, not coherence.
I chose to start with existing paths: verify the source, establish which activity it belonged to, check the link and request a correction only when the destination was objectively outdated. Where I did not have sufficient evidence, I did not turn a memory into a public credential.
I now consider this consequence whenever a business changes its name, domain or website. The new homepage may be impeccable, while interviews, profiles, articles, listings and links built over time continue to point to the previous version. Some can be updated, some must remain historical and others are outside the company’s control.
Professional work does not promise to rewrite the whole web. It identifies what can be controlled, which sources genuinely carry value and which corrections make the journey clearer without falsifying the history.
The old name is history. The destination is current
This review did not give me a new identity. It allowed me to connect the current one more clearly with a professional history that already existed.
I did not remove BRiDWEB from the publications that named it, and I did not try to turn every past activity into commercial proof for GLP. I corrected three relevant destinations, brought the professional sources into my Work page and left photography, books and independent projects within their own contexts.
The web preserves different versions of a person and their work. I cannot control every one of them, but I can avoid adding more confusion and act wherever there is a precise, verifiable correction that respects the source.
My professional website should not pretend that everything began in 2026. It should let someone recognise the work I do today and, when useful, trace it back to genuine evidence built over the years.
I did not rewrite the past. I put the path leading to the present back in order.